Killer re-works of hi-grade Dijit material from EM Records/Honest Jons/Good Morning Tapes
alummmm Jackson Bailey aka Tapes on a fire A side, with Parisian chameleon Krikor keeping it
swung tight on the flip.
Cairo’s Hashem L Kelesh, aka Dijit, razed our minds to ashes last year with the YOUTH-released
‘Hyperattention’ collection, and is here shuttled to new locales for a heavyweight 45 released via
Cairo/London based diy imprint. Dub scientist Tapes is up first with a killer, faded rework, shifting
‘Natfo’ into a 4/4 blur, slowly building into the fuzz with hazy pads before ending on a nostalgic
synth-fwd crescendo. It’s miles away from his 8-bit digi dub, instead drawing on a kind of floor-
focused, lushly faded Hype Williams vibe, for our money one of his best.
Krikor welds his own sound set to the same track, deploying a rolling kick-heavy rhythm before
subtly adding SD’s distinctive vocals and Dijit’s signature percussive clanks smacking snares
somewhere between Low Jack & Shackleton