Betonkust & Palmbomen II - Center Parcs LP
Betonkust & Palmbomen II - Center Parcs LP (Back)

Betonkust & Palmbomen II

Center Parcs LP

Dekmantel Records
VÖ Datum: 25.05.2018
Genre: House
Format: LP
18,99 €
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1. 24x33
2. Smerig Eiland
3. De Rust Die Je Zocht
4. Renaat Egypte
5. Verminkte Toekan
6. Troostprijs
7. Skytronic Cola
8. Nintendo Pantera
9. Leo / Mirjam
10. Achter Het Zwembad
11. Lisanne Landal
12. Eindleader Videonet
Betonkust & Palmbomen II - Center Parcs LP


Recorded in an ageing holiday park during off-season, Center Parcs is the debut LP by Dutch artists Betonkust & Palmbomen II; a conceptual, musical-tristesse full of lo-fi harmony, and fanciful, psychedelic-coloured modulations, with an undercurrent of saturated, outsider-house beats, all recorded to tape. With a shared passion for experimental music, and gnarled Dutch electro, the duo have crafted an LP of esoteric-electronic-pop, reflective of the time the two spent holed-up in isolation, in the out-of-time Center Parcs setting.
Palmbomen II a.k.a. Kai Hugo, is the electronic-focused, alter-ego of Palmbomen. Existing in his secondary iteration, Palmbomen II gained notoriety for his alternative, warped style, having released two LPs, both receiving critical acclaim. Originally from the Netherlands and now living in Los Angeles, his musical relationship with Betonkust stretches back several years, leading to a unique live, and studio-working symbiosis. Meanwhile Betonkust — hailing from the westerly Dutch shores — has been notching up kudos points with his Detroit-like analogue sound. Having found their studio-synchronicity, the duo have already notched up a couple of select EP releases, plus a featured track on Dekmantel's 10 year anniversary series.

'It's a weird environment, but we like it,' Palmbomen II says about Center Parcs, where the album was recorded. Originally built in the 70s, Center Parcs De Eemhof in Zeewolde provides a pseudo-tropical environment for vacationing families, with an ageing, ersatz jungle; its faux decor gradually fading to grey. Recorded during the winter, the two Dutch men took-up home in one the park's chalets with select hardware — predominately synths and drum machines — and recorded all of their progress to tape. Being the only occupants in the melancholic, somber settings, the duo made an LP that was reflective of the unpretentious surroundings. 'Some people think it's ironic, but this is not a tongue-in-cheek joke,' Hugo s

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