Alessandro Adriani

Adriani's debut EP for the label, Enter the Fire, is the first evidence of a new mutation in the Stroboscopic DNA, as can be seen by a shift in Ignazio Mortellaro's design work for the label.

It was probably only a matter of time until eclectic producer and Mannequin label founder Alessandro Adriani would join up with Stroboscopic Artefacts, since both are heavily invested in taking electronic music listeners outside of their comfort zone and into a world of unpredictable outcomes. Adriani's debut EP for the label, Enter the Fire, is the first evidence of a new mutation in the Stroboscopic DNA, as can be seen by a shift in Ignazio Mortellaro's design work for the label (it is in keeping with the previous horticultural theme of the records, but now features directly scanned objects - in this case a single leaf features on the cover). Adriani's work has appeared at a time when, even as electronic music continues to expand into all kinds of new territories, many still associate its signature sounds (analog synthesis, quantized percussion etc.) exclusively with the time in which they first began to make a significant cultural impact. Fortunately, innovators like Adriani ignore this belief that sounds must remain harnessed to a specific point in human history: his attitude towards music making is that the changing circumstances of our environments always have the potential to put a fresh spin on the sounds associated with a previous time and place. In other words, he does not cater to any conceptions of 'retro' or dreams of future past. His curriculum vitae as a producer, event organizer, and label owner all comes back to this ethos of getting beyond the 'museum exhibit' mentality to music and keeping it vital in the here and now. The music on Enter the Fire will not disappoint fans of the hard-edged, aerodynamic style that Adriani has perfected over the years: his skillful distillation of the most impactful elements from genres like EBM, acid, darkwave and industrial