“Authenticity is everything - without it everything would appear to be nothing more than a hollow shell”, says someone who has found himself at the centre of the international techno scene since 2006. The passionate musician from Bremen has become a heavy inﬂuence for an awful lot of producers worldwide. With his album “Liebe ist…” (‘Love is…’) Stephan Bodzin has reached yet another highpoint in his career.
Born in the northern German countryside in 1969, Stephan Bodzin started dabbling in music at an early age due to his father, also an artist and musician, whose studio contained all the magic sound-machines like the ARP2600, Memorymoog, Polysix and many others (today’s producers only know them as software-plug-ins).
As the son of an experimental musician his career in the music industry was set from an early age. And it was only a matter of time before Stephan would fall in love with electronic music. Composing music for several prestigious European theaters was the ﬁrst successful platform for his music. At the same time he discovered his passion for club sounds and increased his efforts in this area. His mindblowing talent was soon discovered and producers such as Oliver Huntemann, Thomas Schumacher and Marc Romboy queued up to work with Stephan. Due to the quality of his impressive music he has reached the top of the international techno scene. Most recently he has remixed songs for well-known bands such as Depeche Mode, Booka Shade and The Knife. His releases can be found on labels such as Get Physical, Datapunk, Gigolo, Systematic and Giant Wheel.
It was a logical move to create his own label called “Herzblut” in 2006. As part of the label-conglomerate Plantage 13 he has found the ideal creative framework for his works. His solos productions have done nothing but raise his worldwide proﬁle even more and he now has the freedom of an individual artist with a worldwide audience.
Stephan’s music is as polarizing as he is, both as DJ and live artist. But there’s one statement that holds true for all of his productions: they are certainly of the highest ‘authenticity’.