Sébastien Devaud, aka Agoria, entered the world of electronic dance music at a peculiar moment in time. Unlike the first generation of techno producers, he’s too young to have been actively listening to early 80’s electronic pop by groups such as Depeche Mode or New Order. But unlike younger DJs and musicians, he’s been exposed to house and techno more or less since the start of these genres.
Agoria started out as a DJ himself, quickly followed by organizing his own parties together with a group of friends (who also gave Séb Devaud his artist moniker loosely named after Agora – the title of their party series, meaning "meeting place" in ancient Greek). He started producing and releasing his own tracks in 1999 and first gained international recognition with a series of 12 ?s on Pias Recordings in 2002, which were followed by the acclaimed album Blossom a year later. Since then, Agoria has released two more long-players The Green Armchair (2006) and soundtrack Go Fast (2008), all showcasing Agoria’s talent for creating deep, stripped-back, melodic, techno tracks.
Apart from his own work as a DJ and producer, Sébastien Devaud has also helped to establish Nuits Sonores, an ambitious electronic and indie event that takes place all over the city of Lyon every Spring and has, over the last ten years, become one of the best European festivals.
Another important contribution has been the start of InFiné in 2006, a label that Devaud founded together with his friends Alexandre Cazac and Yannick Matray. InFiné is a label that follows no rules, shies away from trends and features young, new talents, from various parts of the world. Its releases – from Francesco Tristano’s piano treatments to Danton Eeprom’s sensual productions or Bachar Mar-Khalifé’s dramatic arrangements – continue to surprise and have made InFiné a platform for new music that always challenges and excites it’s listeners.
Agoria’s own debut on the label only came in 2009 with his 12" "Magnolia / Libellules". However, with his new third album Impermanence one can clearly hear that InFiné has also had an influence on Agoria’s own music.
Agoria has created an album that is at the same time constantly changing while also having a unique flow and mood of its own. "Before, my music often felt dark and maybe a bit forced. This time I just let things happen and everything just fell in its right place", he says. And despite using more guests and exploring more styles than on his previous recordings, Agoria has managed to create his most intimate and alluring music yet on Impermanence.