| A newcomer to producing techno, Emmy winning film and television composer Tim Kelly
has produced electronic music since the late 1970s when he saved up enough playing
gigs to purchase a multi track tape deck, a Mini Moog and a 4 voice Oberheim modular
synth.
After earning a university degree in composition during the 1980s and playing funk, rock,
reggae, fusion jazz and bebop with various bands as a keyboardist, Tim always kept an
eye out for new musical avenues to explore while pursuing his career as a scoring
composer. In the mid-1990s, during his tenure composing, conducting and orchestrating
in L.A. for various Warner Bros. animated series, he rediscovered electronica as its
popularity exploded across the international scene. Over the next decade he fell madly in
love. Soon, he was adeptly infusing elements of electronic music into many of his film/TV
projects, including the underscore for Discovery Channel?s Alien Planet and various
production tracks, one of which was used in the feature film The Taking of Pelham 123
and others in trailers for Skyline and Spiderman 3.
Tim finally gave in to the urge to produce straight up techno in the late 2000s and his
lifelong experience with so many different musical styles helped to quickly define a
unique sound. Recently, he?s gained the support of such artists as Drumcell, Audio
Injection, Rene Walther, Spark Taberner, Niereich and Ideal Flow. With upcoming
releases on Nutation and Inceptor, Tim shows no signs of slowing down. |
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