This artist, born in the city of Bad Nauheim in Hessen, which is close to Frankfurt, regards Farley Jack Master Funk's 1986 release 'Love can't turn around' as one of the most important influences in his early career. 'I wanted to make my future audience as happy as this house track made me. I wanted to play this energy and to pass it on to others' remembers Heiko. It was at this point, that it became clear to him that he would become either a DJ, or a musician. He decided to become both. It started in Hessen On leaving school, he started an apprenticeship. By day, he worked as an Industry Wholesaler. By night, he mixed countless tapes for friends. These tapes soon became highly desirable Collectors Items and the cost of a genuine Laux tape rocketed. In the mid 80's, he began his career as a producer with a Casio Keyboard. The presets and patterns were edited and the resulting sounds were passed, via his brother, to the only club in town 'The Soccer Club.' At the end of the 80's the young Laux was a frequent guest in the new club 'Omen' in Frankfurt. 'Omen has been the most influential club for me and from 1989 onwards, I was there several times a month'. Meanwhile, 35kilometers away in Bad Nauheim, the studio in his parents' house was filling up with more and more machines and had become a central meeting place for like minded musicians. When his brother opened up a pub, Heiko seized the opportunity to move the studio. Although the space moved, the idea: 'to find a new way and an own sound in this new musical movement', remained. Anthony Rother, Johannes Heil, Patrick Lindsey – who became the first league of the Kanzleramt artists - were regular guests in what was soon to become the legendary pub 'Kanzleramt'. While honing his DJ skills, Heiko discovered his love for the work of Jeff Mills and the idea to develop a label. In 1994 the label he founded was named Kanzleramt. Numerous publications followed and Heiko became known as 'The Hessen Techno Tiger'. And, although other DJ's seemed stuck in musical limbo, his notoriety was growing on the scene. Soon, Sven Väth from Omen, the club that was so hot it had guttering mounted for the sweat, signed Laux. It was here that Heiko played his first live gig. He remembers 'my set was to be one hour long. But, I was so excited that after just 30 minutes I was through and for the rest of the evening I had to improvise. 'It was like a boiling kettle back then. If you listen to Kanzleramt No.14, you can hear the excitement' In 1996, during his last live gig at the Popkomm, Heiko met a young producer named Christian Morgenstern who gave him a demo tape. He was so impressed with his sound that, just a few months later, he released Morgenstern's debut album on the Kanzleramt label. It was around this time when Heiko was offered the prime time slot as resident DJ, at Omen. And this is where he fulfilled his promise to give energy and luck to the people through his music.