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Hardcore:
Hardcore (a.k.a. oldskool rave hardcore) is a derivative of acid house and techno music, of the late 1980s and early 1990s, that combines four-on-the-floor rhythms with breakbeats, and is associated with the UK rave scene. It was mainly the electronic group The Prodigy brought the genre to prominence in the early 90s.

The scene was driven around the M25 motorway (London's orbital motorway), and its audience was mainly urban teenagers and lower middle-class suburban teenagers with cars. The audience was very much multicultural, with black, white and Asian influences resulting in a unique sound. The scene expanded rapidly in 1991, with large raves of 30–50,000 people attending in open air venues around England, put on by Spiral Tribe and other free party sound systems held at locations up and down the length of England. The late 1980s house music raves such as Sunrise UK spawned the idea of holding huge parties rather than hosting more intimate parties at small clubs. The breakbeat hardcore raves modeled their events after these early raves.

en.wikipedia.org/wiki/Breakbeat_hardcore

Hardcore:
Der Begriff Hardcore bezeichnet in der elektronischen Tanzmusik die zwischen 1990 und 1993 in Großbritannien populäre breakbeatlastige Tanzmusik. Hardcore war dabei ein wesentlicher Bestandteil der Rave Music.
Neben Hardcore werden für dieses Genre zur Abgrenzung zu anderen Hardcorestilen eine Reihe von anderen Bezeichnungen verwendet, die meist auch auf die britische Herkunft hinweisen: Beispielsweise Breakbeat Hardcore, UK Hardcore, British Hardcore, Breakbeat Techno oder UK Breakbeat.

Der Begriff Hardcore findet sich im Zusammenhang mit britischer Breakbeatmusik auch in vielen Breakbeat-Tracks dieser Zeit. Beispiele sind „Hardcore Massif!“ (1991) von Carl Cox oder auch „Hardcore Will Never Die“ und „Funky Hardcore“ (beide 1992) des Produzenten Q-Bass (Dan Donnelly).
Ein Hardcore-Act war The Prodigy. Die ursprünglich in der Ravekultur verwurzelten Künstler veröffentlichten 1992 ihr Debütalbum „Experience“, das stilistisch dem Hardcore zuzuordnen ist. Beginnend mit ihrem Folgealbum entwickelten sie jedoch einen völlig eigenständigen Sound, der mit „The Fat Of The Land“ seinen Höhepunkt erreichen sollte. Dabei vermischte man Elemente des Hardcore mit Big Beat und E-Gitarren.
Bereits in den frühen 1990ern spaltete sich die Hardcore-Szene in zwei verschiedene Richtungen: Der fröhliche Happy Hardcore (nicht zu verwechseln mit dem gleichnamigen Begriff für fröhlichen Hardcore Techno) auf der einen Seite und die weiterhin Breakbeat-lastigen Stile Jungle sowie Drum and Bass auf der anderen Seite. Während Happy Hardcore zur Zeit der Jahrtausendwende die Bezeichnung UK Hardcore bekam, entledigte sich Drum and Bass im Laufe der Jahre sowohl musikalisch als auch namentlich seiner Hardcore-Wurzeln. Gewisse Elemente des Hardcores finden sich auch in neueren Breakbeatstilen wie Big Beat oder Nu-Skool Breaks wieder.

http://de.wikipedia.org/wiki/Hardcore_%28Breakbeat%29


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Dither Bang / Intellectual Desires / Lights Out

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Bang / Intellectual Desires / Lights Out

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scott brown Became hardcore / Life or death

scott brown

Became hardcore / Life or death

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Bryan Fury Bringing The Pain

Bryan Fury

Bringing The Pain

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Metek Crew Bmetek Black Project

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Bmetek Black Project

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The Outside Agency & N-vitral Bloed, Zweet & Snaren (Clear Vinyl Press

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Bloed, Zweet & Snaren (Clear Vinyl Press

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Raiders Cap / The Polychronican

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The Outside Agency The Future Is No

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The Future Is No

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Fracture 4 So Much Sorrow

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So Much Sorrow

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Razor Edge Fuck The End Timers EP

Razor Edge

Fuck The End Timers EP

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Detest L.E. Violence/The Hunter

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L.E. Violence/The Hunter

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Autopsy Decimate

Autopsy

Decimate

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